At the beginning of September I did a "first lines" book meme. This was oddly successful--and I say that only because if someone asked
me to identify a book by its first sentence, chances are I wouldn't be able to, unless it was
Beloved, by Toni Morrison. ("124 was spiteful. Full of a baby's venom. The women in the house knew it and so did the children." Haha,
ippoditty.)
In any case, I said I'd do a book rec meme of the books that weren't recognized.
"These things I know are true: My name is Luling Young. The names of my husbands were Pan Kai King and Edwin Young, both of them dead and our secrets gone with them."
THE BONESETTER'S DAUGHTER, by Amy Tan
This was the first book I'd ever read of Amy Tan's that I genuinely loved. People talk about
Joy Luck Club all the time, and while it is quite nice,
The Bonesetter's Daughter is better. And possibly her second best, though I also enjoyed
The Kitchen God's Wife. (IMHO her best is
The Opposite of Fate, her personal memoir; but I think I may just have a thing for memoirs.)
I don't know what I can say about the book itself, except that you should read it. To be perfectly honest,
I haven't read it in five years, though it is one of the few books that I actually own. Classically Amy Tan, the story centers around a Chinese American woman working as a ghostwriter, and her mother, who fled to America after the Japanese occupation of China. Unlike
The Joy Luck Club, the mother, LuLing, does not narrate her own chapters, as she is gradually slipping into dementia and her memories are scattered. Her story is instead told through the translation of her own written narrative (which is interesting, because the daughter writes only the stories of others).
Imagine what it would be like to have your mother's life laid bare for you, only to find that it is too late. Imagine knowing what story your mother left for you,
knowing that it would be.
--
"Her first memory of pain was an image of her mother. Pei was three or four the first time, and the same thing that had happened then was happening now."
WOMEN OF THE SILK, by Gail Tsukiyama
Another book that deals with the Japanese occupation of China.
Women of the Silk and Gail Tsukiyama's sequel,
The Language of Threads. If you read the first, you have to read the second. It's Just That Way.
Women of the Silk is home to one of the few characters in fiction I wish could have lived. Most of my favorite characters die, but more often than not, I don't mind that they are gone. They are, after all, fiction, and alive again if you just turn back the pages. But one of the women in this book dies, and truth be told, I
still miss her.
The Language of Threads is similar in that another woman dies, just as I began to love her, and I will never forget the imagery.
The novel begins in rural China with a young girl named Pei, who is sent to work in a silk factory. Quiet and wide-eyed, Pei watches life unfold in a foreign place.
These two novels are more about lives lived (and lost) than anything else; by the time
The Language of Threads comes to a close, Pei is a woman grown, herding a willful young lady through World War II-era Hong Kong. I will always think of Pei as the eight-year old girl who walked into page one, so it's always a shock when I finish
The Language of Threads and realize that she's not that scared little girl any more.
Lots of people find this book facile, romanticized, and melodramatic. I loved it. It's also been five years since I read this one, but there's an astounding number of scenes I remember quite vividly.
Which gives the impression that I haven't read anything in the past five years, doesn't it.
This is partially true.
But jeez, who recs
The Grapes of Wrath? Either you've already read it or you likely never will! Just between you and me, though... If you think you've read it, because you read it for
school, you haven't.
Don't make me go fangirl on you! :FFF/rambly post of ramblyness. Bottom line: Read books. I should, too.